Nicanor Parra by Adolfo Vásquez Rocca - Doctor of Philosophy
Nicanor Parra Sandoval ( San Fabian , Province of Dims , September 5 of 1914 )
EXHIBITION
Work: "NICANOR PARRA ANTI-PORTRAIT OR TEACHERS WE RETURNED TO QUESTIONS THAT CRAZY were irrelevant."
Author: Adolfo Vásquez Rocca Show Work:
Year: 2014
Collection: The posthuman condition
Reference: Vásquez Rocca, Adolfo, "NICANOR PARRA: antipoems, PARODY AND HYBRIDS antipoetry LANGUAGES LANGUAGE OF THE APPLIANCE." In NOMADS, Journal Review of Social Sciences and Law - Universidad Complutense de Madrid UCM, No. MONOGRAPHIC [Special No.: Latin America (2012)] p. 213-231 http://www.ucm.es/info/nomadas/americalatina2012/adolfovasquezrocca_2.pdf
Nicanor Parra hundred years old
In 2014, precisely on September 5, will be one hundred years since the birth of the poet Nicanor Parra. Thus, in Chile began in early January activities and events to celebrate his figure and his work, motivated studies around the world, while it is reported that Parra started the year in good health, active and writing.
Which is it thenThat question was answered:
Writing and speaking readers
& point
Now that's a warning
To whoever it is
Predators
demand for lobsters!
A little common sense:
Take along copper
Take along cochayuyo
Take along seafood + delicious
Albacore
crazy
crabs
Virtually nothing remains
But beware native fuck forest:
They will have to beat with the Mapuche!
This is not a banana republic
There is no corruption
Outside we all know
this country is happy copy of Eden
O x at least a photocopy
What is poetry
X be the foundation of the word
Poetry is you
Everything that moves is poetry
What does not change place is prose
poetry But what
unites us Everything is poetry
prose can separate only
Yes but what is poetry
words Life
A enigma that refuses to be deciphered x teachers
Some truth and aspirin
are you antipoetry
Giving up the meter and rhyme
Replace the camera x kaleidoscope
not look back
Make up a cow x rainbow
The kite as a means of locomotion
Urinating on parafinero jar
round business where you look
Publish the poems
in toilet rolls
By sras course & messrs
Editions biodegradable
Sensational
great
Elefantastic!
Round Business where you look
but do not come with us that's poetry
Note on lesson antipoetry
1. antipoetry poetry seeks not eloquence.
2. The antipoems be read in the same order in which
they were written.
3. We read the same poems like the
anti-poems.
4. Poetry-pass antipoetry also
5. The poet speaks to all without any difference
6. Our curiosity often prevents us enjoy
fully antipoetry try to understand and discuss
what should not.
7. To take advantage of, read in good faith and do not
ever complazcas in the name of writer.
8. Question goodwill and hears without replicating the
words of poets; do not dislike judgments of
the old as not utter at random.
9. Greetings to all.
(From "Clubbing Long" Poetry Anthology, with selection of text and foreword by Elvio Gandolfo, Abundant, Buenos Aires, 2010 Nicanor Parra was born on September 5, 1914 in San Fabián de Alico, Ñuble. At 18 came James from Chillán, completed high school, during which already took contact with writers and other creators. studied mathematics and physics but continued linked to literature and poetry in particular. In 1937 he published his first book, "Song without a name" inspired scholars as the "Gypsy Romacero" by Federico García Lorca, but already signs of his trademark and in particular its "anti-poetry." After a journey of scientific studies to the United States, in 1954 published "Poems and antipoems "considered a deep mark on the Latin American poetry. overall informality, irreverence, sarcasm, irony, appear in his verse. Arguably since his poetic presence remains in the foreground, despite international glare by their compatriots in Special Pablo Neruda. He received many awards, including the Reina Sofia Latin American Poetry in 2001; Cervantes, in 2011, who did not travel to receive; and the Latin American Poetry Pablo Neruda, in 2012, threatened to sue whose jury for not having awarded to other poets in his place).
That was Huidobro
Do not ask me to write with his feet
he replied
When you are branded as cerebral
True rigor resides in the head
That Neruda takes over housemaids
This is a poem for princes
Test
What is a antipoet:
A trader in urns and coffins?
A priest who does not believe in anything?
A general self-doubt?
A tramp who laughs at everything
to old age and death?
A party of bad character?
A dancer on the brink?
A daffodil loves everyone?
A bloody joker
deliberately miserable?
A poet asleep in a chair?
An alchemist of modern times?
A revolutionary pocket?
A petty bourgeois?
A charlatan?
one ? god
? innocent
? A villager Santiago
Underline the sentence you think is correct.
Which is antipoetry:
• A storm in a teacup
? A patch of snow on a rock
A serving tray full of human excrement
as it believes the Father Salvatierra?
A mirror that tells the truth?
A slap to the face
from the President of the Writers?
(God rest his holy kingdom)
A warning to young poets?
Jet A coffin?
A coffin centrifugal force?
A paraffin gas coffin?
not I spread a chapel?
Tick
The definition you think is correct.
The roller coaster
For half a century
Poetry was
solemn fool's paradise.
Until I came
and I moved with my roller coaster.
Suban, if you will.
course I do not answer if they fall
Taking sagre by mouth and nose.
Warning
Not let anyone tell me
I did not understand the antipoems
Everyone should laugh out loud.
That broke my head
to get to the soul of the reader.
Allow yourself questions.
deathbed In
Each scratching with fingernails.
Besides one thing:
I have no problem
in get in over my head.
Epitaph
Of medium height,
With neither thin nor thick voice,
eldest son of a primary teacher
and a dressmaker back room
Flaco birth
Although a devotee of fine dining;
De emaciated cheeks
and rather abundant ears,
with a square face
In the eyes open just
a nose and mulatto boxer
down to the mouth of Aztec idol
All this bathed
by a light pérfida- between ironic and
not very clever or complete fool
I was what I was: a mixture
of vinegar and Oil eating
a sausage angel and beast!
Cero problem
for the economy Right
politics for Christian Democracy
and culture for the Working Class
NICANOR PARRA - antipoet By Adolfo Vasquez Rocca
Vásquez Rocca, Adolfo, " Nicanor Parra. antipoems, parodies and hybrid languages language antipoetry From Artifact "
Vásquez Rocca, Adolfo, " Nicanor Parra. antipoems, parodies and hybrid languages language antipoetry From Artifact "
Nicanor Parra Self or Teachers returned to us crazy questions that were irrelevant
BIBLIOGRAPHY _________________________
PARRA, Nicanor, Poems and antipoems , Santiago. Ed. Nascimento, 1954.
PARRA, Nicanor, Jokes Par / ra Disorient the police, poetry, Santiago de Chile, 1983.
PARRA, Nicanor Parra leaves , Canymedes (1985). PARRA, Nicanor, Teachers , New York, Antiediciones Villa Miseria, 1971 extended poem that later become part of Vine Leaves .
PARRA, Nicanor, to combat baldness Poems (1993).
PARRA, Nicanor, Artifacts . Santiago: Ediciones Nueva University, 1972.
PARRA, Nicanor: Thick Work , Santiago de Chile, Editorial Universitaria, 1973.
PARRA, Nicanor, practical objects (1996) later described as visual artifacts . PARRA, Nicanor , practical work , Santiago de Chile , CESOC , 1996.
PARRA, Nicanor, Jokes to disorient poetry , Ediciones Era Gallery, Santiago, 1983. PARRA, Nicanor, Jokes pair (r) to mislead the (police) poetry (editing and Gilberto Alonso Maria Nieves Triviños ), Madrid, Visor, 1998.
PARRA, Nicanor, Speeches desktop , Athena, Santiago de Chile.
PARRA, Nicanor, living Verses (1962), Editorial Nascimento, Santiago, Chile. PARRA, Nicanor, practical work (exposure) Santiago, National Congress of Art, 1990. PARRA, Nicanor, Blank pages (introduction of María Ángeles Pérez López and editing Niall Binns), Salamanca, University of Salamanca, 2002. PARRA, Nicanor, Lear, King & beggar, Santiago de Chile, Ediciones Universidad Diego Portales, 2004.
PARRA, Nicanor, Speeches desktop , Santiago de Chile, Ediciones Universidad Diego Portales, 2006.
PARRA, Nicanor, & something + Works (1935-1972). Volume I (preface by Harold Bloom, introduction and foreword by Niall Binns Federico Schopf), Barcelona, Galaxia Gutenberg / Ballantine Books, 2006. VALENTE, Ignacio Parra Artifacts in El Mercurio, Santiago, September 27, 1970 .
ORTEGA, July Toolbox; Cultural practices for the new century Chilean , Ed. LOM, santiago, 2000, p.149. CARRASCO, Ivan, Interdisciplinary, intercultural and canon in Chilean and Latin American poetry, philological Studies N. 37, Valdivia 2002, ISSN 0071-1713 version printed.
MORALES, Leonidas: The Poetry of Nicanor Parra, Santiago, Andres Bello, 1972.
BASTIDAS block, Caesar, Nicanor Parra & seriously joking , Santiago de Chile, Ediciones Humanistic Studies Department, University of Chile, 1997.
ZUNIGA, P., The World of Nicanor Parra; Antibiografía , Ed Zig -.. zag, Santiago, 1999
Jaime Quezada, Nicanor Parra has the Word , Aguilar de Ediciones Ltda Chile, Santiago de Chile, 1999..
IBÁÑEZ-LANGLOIS, José Miguel, "The poetry of Nicanor Parra," in Nicanor Parra, antipoems , Barcelona, Seix-Barral, 1972, pp. 9-66.
SCHOPF, Federico, from avant-garde to antipoetry , Rome, Bulzoni, 1986. Brons, Thomas, Die antipoetry Nicanor Parra . Versuch einer aus Deutung weltanschaulicher sicht, Göppingen, Alfred Kummerle Verlag, 1972.
GROSSMAN, Edith, The Antipoetry of Nicanor Parra , New York, NYU Press, 1975.
PARRA, Nicanor, Jokes Par / ra Disorient the police, poetry, Santiago de Chile, 1983.
PARRA, Nicanor Parra leaves , Canymedes (1985). PARRA, Nicanor, Teachers , New York, Antiediciones Villa Miseria, 1971 extended poem that later become part of Vine Leaves .
PARRA, Nicanor, to combat baldness Poems (1993).
PARRA, Nicanor, Artifacts . Santiago: Ediciones Nueva University, 1972.
PARRA, Nicanor: Thick Work , Santiago de Chile, Editorial Universitaria, 1973.
PARRA, Nicanor, practical objects (1996) later described as visual artifacts . PARRA, Nicanor , practical work , Santiago de Chile , CESOC , 1996.
PARRA, Nicanor, Jokes to disorient poetry , Ediciones Era Gallery, Santiago, 1983. PARRA, Nicanor, Jokes pair (r) to mislead the (police) poetry (editing and Gilberto Alonso Maria Nieves Triviños ), Madrid, Visor, 1998.
PARRA, Nicanor, Speeches desktop , Athena, Santiago de Chile.
PARRA, Nicanor, living Verses (1962), Editorial Nascimento, Santiago, Chile. PARRA, Nicanor, practical work (exposure) Santiago, National Congress of Art, 1990. PARRA, Nicanor, Blank pages (introduction of María Ángeles Pérez López and editing Niall Binns), Salamanca, University of Salamanca, 2002. PARRA, Nicanor, Lear, King & beggar, Santiago de Chile, Ediciones Universidad Diego Portales, 2004.
PARRA, Nicanor, Speeches desktop , Santiago de Chile, Ediciones Universidad Diego Portales, 2006.
PARRA, Nicanor, & something + Works (1935-1972). Volume I (preface by Harold Bloom, introduction and foreword by Niall Binns Federico Schopf), Barcelona, Galaxia Gutenberg / Ballantine Books, 2006. VALENTE, Ignacio Parra Artifacts in El Mercurio, Santiago, September 27, 1970 .
ORTEGA, July Toolbox; Cultural practices for the new century Chilean , Ed. LOM, santiago, 2000, p.149. CARRASCO, Ivan, Interdisciplinary, intercultural and canon in Chilean and Latin American poetry, philological Studies N. 37, Valdivia 2002, ISSN 0071-1713 version printed.
MORALES, Leonidas: The Poetry of Nicanor Parra, Santiago, Andres Bello, 1972.
BASTIDAS block, Caesar, Nicanor Parra & seriously joking , Santiago de Chile, Ediciones Humanistic Studies Department, University of Chile, 1997.
ZUNIGA, P., The World of Nicanor Parra; Antibiografía , Ed Zig -.. zag, Santiago, 1999
Jaime Quezada, Nicanor Parra has the Word , Aguilar de Ediciones Ltda Chile, Santiago de Chile, 1999..
IBÁÑEZ-LANGLOIS, José Miguel, "The poetry of Nicanor Parra," in Nicanor Parra, antipoems , Barcelona, Seix-Barral, 1972, pp. 9-66.
SCHOPF, Federico, from avant-garde to antipoetry , Rome, Bulzoni, 1986. Brons, Thomas, Die antipoetry Nicanor Parra . Versuch einer aus Deutung weltanschaulicher sicht, Göppingen, Alfred Kummerle Verlag, 1972.
GROSSMAN, Edith, The Antipoetry of Nicanor Parra , New York, NYU Press, 1975.
NOTES
[1] Oxford has distinguished to Parra in 2000 with the Honorary Fellow.
[2] - La antipoesía de Nicanor Parra rompe la solemnidad de Neruda y el cerrado universo creacionista de Huidobro. Muy influyente, situada hacetiempo en la cima de la poética hispana, la poesía de Nicanor Parra recibió en 2000 el premio Reina Sofía, el más alto galardón poético en nuestroidioma. Ahora es el turno del Premio Cervantes.
- Se cumplía así una vez más la ley no escrita que hace que cada año desde hace casi cuatro décadas el Cervantes se alterne entre una y otraorilla del Atlántico. Parra toma el testigo de Ana María Matute, ganadora de la pasada edición, y deja el 'marcador' bastante equilibrado. Desde sucreación en 1976 el Cervantes ha premiado a 37 autores, de los que 18 son americanos y 19 españoles. Entre ellos, solo tres mujeres, MaríaZambrano, Dulce María Loynaz, y Ana María Matute.
La ministra de Cultura, Ángeles González-Sinde comunicó el fallo y reconoció que no había podido hablar con el ganador, avecindado en unaremota playa chilena y alejado por voluntad propia del bullicio urbano y los cenáculos literarios. Un Nicanor Parra que no atendió al teléfono y que,cercano a un siglo de vida, no hará el notable esfuerzo para cruzar el charco y acudir a recoger el premio el 23 de abril en la universidad de Alcalá deHenares, donde cada año los reyes entregan el galardón en una solemne ceremonia.
- La ministra Ángeles González-Sinde se felicitaba porque se premiara «en vida» a un gran poeta como Parra, destacando cómo a su juicio « lavocación de escribir poesía es más exigente que en otros géneros» . Valoró Sinde la dedicación de Parra a «crear e investigar en nuevos lenguajes» y laconexión «entre el lenguaje poético y el matemático o el físico» .
Junto a Margarita Salas estuvieron en el jurado Gerardo Piña-Rosales, por la Academia Norteamericana de la Lengua Española; José María Micó,por la Conferencia de Rectores de las Universidades Españolas; Olvido García Valdés, por el Instituto Cervantes; Rosa Regás, por el ministerio deCultura; Francisco Giménez Alemán, por la Federación de Asociaciones de Periodistas de España; Marta Rojas, por la Federación Latinoamericana dePeriodistas y Ruth Viviana Fine, por la Asociación Internacional de Hispanistas.
Actuó como secretario con voz y sin voto el director general de Libro, Archivos y Bibliotecas, Rogelio Blanco, y como secretaria de actas laDeputy Director General of Promotion of the book, the reading and the lyrics Spanish, Mónica Fernández.
[3] PARRA, Nicanor, Fragments of the "Speech of the Bío Bío " ( Speeches desktop , 2006), written in January of 1996, with the occasion of the reception ofdoctorado honoris causa de la Universidad de Concepción.
- El « discurso de sobremesa » , vieja costumbre de club radical, es básicamente una cháchara, un cantinfleo lleno de frases hechas con que searregla el mundo hablando mucho sin decir nada. Parra se apropia de esa forma y la adopta casi como un género literario, un subgénero antipoéticothat has as antecedent sermons and preaching the Christ of Elqui .
- The first speech entitled peñi Mai mai , was written for receipt Award American and Caribbean Literature Juan Rulfo, in November 1991, in Guadalajara. The occasion gives rise to Parra talking, of course, Juan Rulfo ( "Compared to Rulfo / Our writers seem kites lead ' ), of literary prizes ( "Prizes are for free spirits / Y for friends jury // Chanfle / They did not have my cunning ' ) and discourse ( "The ideal speech / Is that says nothing / Though it may seem that says it all" ), which does not mean that also speak of poetry, post-Auschwitz, consumerism, the liberation of women, human rights, Christianity and even yawning and snoring leaving the auditorium culture: "I see you are falling asleep me / That's the
del centenario del nacimiento de Vicente Huidobro. Allí, Parra da una pormenorizada cuenta de la personalidad verdaderamente excepcional deHuidobro, subrayando sus excentricidades, su egolatría y sus torpezas, a la vez que sacándose el sombrero ante todas las cualidades que lo hanconvertido en uno de los autores fundamentales de la poesía chilena. Dice por ahí: « Cómo se explica/ Sr Presidente de la Sociedad de Escritores de Chile/Que no le den el Premio Nacional/ ¡ So pretexto de que está muerto!/ Ojalá los amigos sepultureros/ estuvieran tan vivos como él » .
[4] Ibid.
[5] Una primera versión de este Artículo fue publicado en el Sitio de la Biblioteca Virtual de Literatura / Satírica / Crítica. SEVILLA, ESPAÑA, Diciembre, 2004. VASQUEZ ROCCA, Adolfo, " Nicanor Parra: antipoetry, parodies and hybrid languages " . (Homage to the occasion of the 90 years of the Anti-Poet).
[6] VALENTE, Ignacio, The Artifacts of Parra , in El Mercurio, Santiago, 27 of September of 1970.
[7] PARRA, Nicanor, Verses of living (1962), Editorial , Nascimento, Santiago, Chile.
[8] ORTEGA, Julio, Caja de Herramientas; Prácticas culturales para el nuevo siglo chileno , Ed. LOM, santiago, 2000, p.149.[9] CARRASCO, Iván, Interdisciplinariedad, interculturalidad y canon en la poesía chilena e hispanoamericana actual , Estudios filológicos N. 37, Valdivia 2002,ISSN 0071-1713 version printed.
[10] VASQUEZ ROCCA, Adolfo, Joseph Beuys 'Every man, an artist'; The Documenta in Kassel or abandons Art Gallery . On Magazine Haystack, MARGINZERO, Madrid, No. 37 - December of 2007 - Net Zero Magazine f undadora of the Association of Journals Digital in Spain, ISSN 1695-4807.
[11] VASQUEZ ROCCA, Adolfo, antipoetry Parra and language of the artifact . In MAGAZINE ADAMAR, year 5, No. 20, Site included in the Directory Worldof literature of the UNESCO.
[12] No consiste en un libro, sino en una caja con 242 tarjetas postales, por lo tanto ilustraciones relacionadas con los textos que vocean«epigramas», grafittis o para ser más exactos, «artefactos» como los denomina el poeta, que al ser interrogado sobre su sentido señala: «unapalabrita bastante jodida» , «una aproximación al grafitti» , «un terremoto grado 13» , «una agresión» , «un juego» . Todas las acepciones señaladas por Parradescriben bastante bien el conjunto de sus artefactos, porque cada una de ellos es el límite mismo al que deriva el destinatario. Desde este punto devista, el artefacto ya es un artículo de consumo, suntuario o no, que se dirige a un receptor anónimo, prosaico, ni adepto, ni adicto a la poesía,simplemente su usuario. Así, Artefactos golpea en el hígado de su lector, pues las costumbres de la sociedad, los hábitos políticos, las prácticasreligious, are in this work one attack ruthless.
[13] In ZUNIGA, P., The world of Nicanor Parra; Antibiografía , Ed. Zig - zag, Santiago, 1999, p. 84 and 85.
[14] Juan Luis Martínez fue un poeta y artista visual que desde la imagen y la palabra cuestionó las prácticas creativas más tradicionales. Todas susobras tienen elementos plásticos y literarios en convivencia, una cualidad que lo convierte en un artista precursor, especialmente influyente: unartista de culto.
Parte importante de sus objetos poéticos serán expuestos por primera vez en una galería de arte en Santiago. El jueves 18 de marzo,Departamento 21 inaugura Señales de Ruta , con prácticamente todos los trabajos realizados por Martínez que lo ligan a recursos de las vanguardiasartísticas del siglo XX, como el collage y el arte objetual. Como excepción al funcionamiento habitual de la galería, esta muestra no tendrá finescomerciales sino sólo de exhibición; se trata de un evento en su homenaje que contempla asimismo la edición de su proyecto poético póstumo.
[15] See: VASQUEZ ROCCA, Adolph, Deconstruction of the concept of Author; Alterity and identity in the poetry of Juan Luis Martínez . On Magazine ADAMAR, No.28, in December of 2007, Spain. magazine of poetry included in the Directory World of Literature of the UNESCO.
[2] - La antipoesía de Nicanor Parra rompe la solemnidad de Neruda y el cerrado universo creacionista de Huidobro. Muy influyente, situada hacetiempo en la cima de la poética hispana, la poesía de Nicanor Parra recibió en 2000 el premio Reina Sofía, el más alto galardón poético en nuestroidioma. Ahora es el turno del Premio Cervantes.
- Se cumplía así una vez más la ley no escrita que hace que cada año desde hace casi cuatro décadas el Cervantes se alterne entre una y otraorilla del Atlántico. Parra toma el testigo de Ana María Matute, ganadora de la pasada edición, y deja el 'marcador' bastante equilibrado. Desde sucreación en 1976 el Cervantes ha premiado a 37 autores, de los que 18 son americanos y 19 españoles. Entre ellos, solo tres mujeres, MaríaZambrano, Dulce María Loynaz, y Ana María Matute.
La ministra de Cultura, Ángeles González-Sinde comunicó el fallo y reconoció que no había podido hablar con el ganador, avecindado en unaremota playa chilena y alejado por voluntad propia del bullicio urbano y los cenáculos literarios. Un Nicanor Parra que no atendió al teléfono y que,cercano a un siglo de vida, no hará el notable esfuerzo para cruzar el charco y acudir a recoger el premio el 23 de abril en la universidad de Alcalá deHenares, donde cada año los reyes entregan el galardón en una solemne ceremonia.
- La ministra Ángeles González-Sinde se felicitaba porque se premiara «en vida» a un gran poeta como Parra, destacando cómo a su juicio « lavocación de escribir poesía es más exigente que en otros géneros» . Valoró Sinde la dedicación de Parra a «crear e investigar en nuevos lenguajes» y laconexión «entre el lenguaje poético y el matemático o el físico» .
Junto a Margarita Salas estuvieron en el jurado Gerardo Piña-Rosales, por la Academia Norteamericana de la Lengua Española; José María Micó,por la Conferencia de Rectores de las Universidades Españolas; Olvido García Valdés, por el Instituto Cervantes; Rosa Regás, por el ministerio deCultura; Francisco Giménez Alemán, por la Federación de Asociaciones de Periodistas de España; Marta Rojas, por la Federación Latinoamericana dePeriodistas y Ruth Viviana Fine, por la Asociación Internacional de Hispanistas.
Actuó como secretario con voz y sin voto el director general de Libro, Archivos y Bibliotecas, Rogelio Blanco, y como secretaria de actas laDeputy Director General of Promotion of the book, the reading and the lyrics Spanish, Mónica Fernández.
[3] PARRA, Nicanor, Fragments of the "Speech of the Bío Bío " ( Speeches desktop , 2006), written in January of 1996, with the occasion of the reception ofdoctorado honoris causa de la Universidad de Concepción.
- El « discurso de sobremesa » , vieja costumbre de club radical, es básicamente una cháchara, un cantinfleo lleno de frases hechas con que searregla el mundo hablando mucho sin decir nada. Parra se apropia de esa forma y la adopta casi como un género literario, un subgénero antipoéticothat has as antecedent sermons and preaching the Christ of Elqui .
- The first speech entitled peñi Mai mai , was written for receipt Award American and Caribbean Literature Juan Rulfo, in November 1991, in Guadalajara. The occasion gives rise to Parra talking, of course, Juan Rulfo ( "Compared to Rulfo / Our writers seem kites lead ' ), of literary prizes ( "Prizes are for free spirits / Y for friends jury // Chanfle / They did not have my cunning ' ) and discourse ( "The ideal speech / Is that says nothing / Though it may seem that says it all" ), which does not mean that also speak of poetry, post-Auschwitz, consumerism, the liberation of women, human rights, Christianity and even yawning and snoring leaving the auditorium culture: "I see you are falling asleep me / That's the
del centenario del nacimiento de Vicente Huidobro. Allí, Parra da una pormenorizada cuenta de la personalidad verdaderamente excepcional deHuidobro, subrayando sus excentricidades, su egolatría y sus torpezas, a la vez que sacándose el sombrero ante todas las cualidades que lo hanconvertido en uno de los autores fundamentales de la poesía chilena. Dice por ahí: « Cómo se explica/ Sr Presidente de la Sociedad de Escritores de Chile/Que no le den el Premio Nacional/ ¡ So pretexto de que está muerto!/ Ojalá los amigos sepultureros/ estuvieran tan vivos como él » .
[4] Ibid.
[5] Una primera versión de este Artículo fue publicado en el Sitio de la Biblioteca Virtual de Literatura / Satírica / Crítica. SEVILLA, ESPAÑA, Diciembre, 2004. VASQUEZ ROCCA, Adolfo, " Nicanor Parra: antipoetry, parodies and hybrid languages " . (Homage to the occasion of the 90 years of the Anti-Poet).
[6] VALENTE, Ignacio, The Artifacts of Parra , in El Mercurio, Santiago, 27 of September of 1970.
[7] PARRA, Nicanor, Verses of living (1962), Editorial , Nascimento, Santiago, Chile.
[8] ORTEGA, Julio, Caja de Herramientas; Prácticas culturales para el nuevo siglo chileno , Ed. LOM, santiago, 2000, p.149.[9] CARRASCO, Iván, Interdisciplinariedad, interculturalidad y canon en la poesía chilena e hispanoamericana actual , Estudios filológicos N. 37, Valdivia 2002,ISSN 0071-1713 version printed.
[10] VASQUEZ ROCCA, Adolfo, Joseph Beuys 'Every man, an artist'; The Documenta in Kassel or abandons Art Gallery . On Magazine Haystack, MARGINZERO, Madrid, No. 37 - December of 2007 - Net Zero Magazine f undadora of the Association of Journals Digital in Spain, ISSN 1695-4807.
[11] VASQUEZ ROCCA, Adolfo, antipoetry Parra and language of the artifact . In MAGAZINE ADAMAR, year 5, No. 20, Site included in the Directory Worldof literature of the UNESCO.
[12] No consiste en un libro, sino en una caja con 242 tarjetas postales, por lo tanto ilustraciones relacionadas con los textos que vocean«epigramas», grafittis o para ser más exactos, «artefactos» como los denomina el poeta, que al ser interrogado sobre su sentido señala: «unapalabrita bastante jodida» , «una aproximación al grafitti» , «un terremoto grado 13» , «una agresión» , «un juego» . Todas las acepciones señaladas por Parradescriben bastante bien el conjunto de sus artefactos, porque cada una de ellos es el límite mismo al que deriva el destinatario. Desde este punto devista, el artefacto ya es un artículo de consumo, suntuario o no, que se dirige a un receptor anónimo, prosaico, ni adepto, ni adicto a la poesía,simplemente su usuario. Así, Artefactos golpea en el hígado de su lector, pues las costumbres de la sociedad, los hábitos políticos, las prácticasreligious, are in this work one attack ruthless.
[13] In ZUNIGA, P., The world of Nicanor Parra; Antibiografía , Ed. Zig - zag, Santiago, 1999, p. 84 and 85.
[14] Juan Luis Martínez fue un poeta y artista visual que desde la imagen y la palabra cuestionó las prácticas creativas más tradicionales. Todas susobras tienen elementos plásticos y literarios en convivencia, una cualidad que lo convierte en un artista precursor, especialmente influyente: unartista de culto.
Parte importante de sus objetos poéticos serán expuestos por primera vez en una galería de arte en Santiago. El jueves 18 de marzo,Departamento 21 inaugura Señales de Ruta , con prácticamente todos los trabajos realizados por Martínez que lo ligan a recursos de las vanguardiasartísticas del siglo XX, como el collage y el arte objetual. Como excepción al funcionamiento habitual de la galería, esta muestra no tendrá finescomerciales sino sólo de exhibición; se trata de un evento en su homenaje que contempla asimismo la edición de su proyecto poético póstumo.
[15] See: VASQUEZ ROCCA, Adolph, Deconstruction of the concept of Author; Alterity and identity in the poetry of Juan Luis Martínez . On Magazine ADAMAR, No.28, in December of 2007, Spain. magazine of poetry included in the Directory World of Literature of the UNESCO.
- IMAGE (end of article): By Giuliano Pastorelli from Conce, CL (July santiago) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons
The muses of Parra
By antipoetry Parra created fifty years ago. Unlike Neruda, his verse does not explicitly account for women who have inspired her life. Marcela Escobar Q. Photo: Juan Eduardo Lopez doors of the house that has Nicanor Parra in Las Cruces are open. The gate of Lincoln overlooking the main street and also, that someone daubed in black with the words "antipoe-sy". A young woman comes to pass, Nicanor not know of this visit, but she promises to find out if you are willing to receive people. The author of the imaginary man looks tired and sporting a stubble, corduroy trousers, light shoes, shirt, vest and a leather jacket that is too big. Walk slowly, holding in his hands a cup of tea. When he learns that the aim of this visit is to find out about his muses, Nicanor is silent. "Tremendous theme," mutters suddenly, reluctantly but gentle. He says he's tired, that have been days of celebrations for his 90th birthday, he does not feel well. The response to counter our insistence and has prepared. brackets I am, especially on that topic explains. He stands firm and repeat: I'm in parentheses. That is my answer. Nicanor Parra has never spoken about the women who inspired his verses. Neither of those with whom he married, with whom had children, who lived with intense romances. Unlike Neruda, who explicitly gave women complete their works, Parra has been a discreet poet. A knight without memory, in parentheses. were some, however, who left written traces. Aromos verses, published in Russian Songs are for Inga Palme, Swedish-born women who married in 1951 Parra In The textile worker, "the young woman inexplicably" Tuca would Nury, his last wife, the mother of his sons John of God and Columbine. And that "imaginary" woman who inspired the lines of the imaginary man would also name. Ah, she died ... Nicanor regrets in her garden gate. Not to speak more, apparently. Remains impenetrable character that he has built, which does not give interviews, has been used to treat him like a rock star. Parra has not drunk a drop of tea without allowing a step forward, says goodbye with the same initial gentleness. I'm tired, I'm sorry, were very hard days. took the car and heading to Santiago when Nicanor makes a hand sign. "Wait," he says. "I have something that can help you, just as you arrived I was writing a poem on the subject." Parra walks to the garage where they parked the Beetle still driving on the coast, but, not for nothing, handle in Santiago. There is a table, a chair, a red without uncorking, several books and a few books. A narrow as a desk with a dazzling view of the Las Cruces area. The windows allow the sun through the piece. Nicanor want to show your last text. At close of his makeshift desk, invites her home and is on the terrace where read out La Sagrada Familia, who has written on white sheets with her classical calligraphy. , I would give just because I have hot jeta launches Parra, laughing . I'm in the mood who writes a poem, if I read it in a week so I throw in the trash. Whatever rescued from the trash is, in his words, "a poem very ambitious love, because it is at the core of Christianity. St. Joseph, the Virgin, Jesus ... ". The José de Parra is a platonic father, you just need to be told you dad. Says the author. The lyric speaker of the poem, as critics say. To me, to record me. No-no-no, this is not confessional or autobiographical poetry. thinking in the poem, are you more platonic, then? Over Aristotelian Platonist, what else can a man? ILLUMINATED AT A year ago, in Nicanor has home in Regina, the poet Francisco Vejar saw an episode of this kind. Parra's friend for years, accompanied him when they came to visit two girls. They were young, no older than 25, and "really flirting with him," recalls Véjar. "Both the number you left your cell phone, and after they left, Nicanor said, 'Pancho, gee, they ask me Aristotelian love, and the only thing I can offer you is platonic love".' games words are given either Nicanor. Not for nothing is who he is. A candidate for the Nobel, the poet of constant homage, cultural reference on the left and the right, the man who at ninety loses its appeal. The coat of Platonic love is something that Parra has above as the best way to stay sheltered. Parra Sergio Badilla met at a gathering of writers in Viña del Mar, back in 1967, then, the young poet knew Badilla of the ways that Nicanor, at that point one vate consecrated women conquered. "had an almost childlike love ordering them recaditos" describes Badilla. Follows: "It was always a poem when he fell in love with a woman I'm sure it must have spread many different encounters Thus began with an almost naive, very soft, almost romantic attitude was able to speak slowly, as enlightened... . " That was when Parra wanted to conquer a woman. After getting the attention of your target, Nicanor was down. It became mysterious, a gallant unusual, nothing daring. Badilla said that strategy.. "Parra combines this amazing ability not only letters, but also in science is a man linked to higher physical, a man of laboratory test Combining these two aspects, the comes out is a mixture of gunpowder, an unpredictable man. An imaginary man, as he says. " The late Julio Ortiz de Zárate Burchard, co-Parra at the Pedagogical Institute, she told her daughter Beatrix of a first love that the poet courted with these arts, writing. "I wrote a love letter to Toya Cornejo, both fellow at the Pedagogical" recalls Beatrice. "It was a platonic love, courting through words. Then girls were harder than they are now. Nicanor My dad said he hid and watched the trees." Toya Cornejo found Julio Ortiz de Zárate ago few years. According to the daughter, the woman still has the letter from Parra. The first time that Beatriz Ortiz de Zárate frequented Parra was in its infancy, when the poet was married to his first wife, Ana Troncoso. The couple's marriage was in 1940 and already had three children, Catherine, Frances and Albert. By then, Nicanor had won a scholarship for further training in Oxford in cosmology. Those were the years that still exerted a dual membership. Poetry and science to his wife would not be left alone while he was in England, Nicanor asked Julio Ortiz de Zárate he moved, with his family, the house where Anita and children lived. Beatriz was about six years. Says Anita was a cheerful and beautiful brunette woman slanted eyes, black hair to her waist and "a sculpted body." Beatriz does not remember most of those years but later learned, by his father, when Nicanor returned from England in 1951, was in love with another woman. The Swedish Inga Palme. "Sugar Daddy went" It's twelve-thirty on the first Tuesday of September. Nicanor Parra is ninety-two days, and from its terrace overlooking the entire beach. It has crossed the entrance hall where about four typewriters and a homemade display of their famous artifacts, which change according to chance and your mood. Somewhere off his hat green canvas. It is unnecessary, because the deck is protected from the sun. Parra, however, does not remove. At over forty years I think they call them dirty old men, and ... says Parra unsure tone. So it was old man after 40? Went old man did not know that it was necessary not. Then I learned the lesson, with the Code of Manu, the ancient Hindu teachers, according to Nietzsche, are the most knowledgeable in the world. Parra is immersed in the teachings of the Code of Manu, as if aspiring to become a superior man or "brahman priest," the individual to whom the book appeals Hindus. The same woman who told him of the visit has brought more tea; Parra still excited about the list of the ages of the superior man. First is the neophyte or reader of the scriptures recite. Then the gallant family or founder. Then the hermit. And finally, the ascetic. "O shining butterfly," says Nicanor, opening his eyes, raising his index finger and voice dialing in the last two syllables, similar to the attitude of teachers to their students. Notice that the Code of Manu says that when first grandchild born, or between 40 and 50, it is right that the superior man renounces the world. It means giving, first, the woman; Second, a family; third, and fourth materials goods, give up fame, the pursuit of fame. Such waivers should not be easy. At 40, 50 years, is still a man of the world. 's right But according to the ancient Indian masters. The only thing I can do is give an account of those readings. Has only been accounted for readings or has lived well? That we will talk. This is a conversation and not an interview. I'm in parentheses. Let me fill you in the Code of Manu. Parra will not answer the question. REGISTRATION, BLONDES, showy "With people it upsets, Nicanor closed doors," explains Francisco Vejar. And states: "It is more difficult for women to access to this circle of friends, because they are always a romantic object remember once went to see a friend of his age, and Nicanor was uncomfortable and not relaxed.". According to Sergio Badilla, Parra prefer young women, "relatively high social status, intellectual, linked to the letters or art." Nicanor himself in an interview he did with the writer José Donoso in 1960, admits he always liked " tall women, blonde, very showy. " About Inga Palme, his second wife, would say, "Inga I found the most beautiful girl I had ever seen and I married her in London I am a person emotionally chaotic and, despite that, Inga has always been.. by me and supported me. It's the person that I tell in life, who understands me and knows forgive. " Beatriz Ortiz de Zárate was about twelve years old when Nicanor Parra and Inga Palme visited the house of his parents. "She was a blonde, very friendly, very gentle and very in love with Nicanor woman. He also looked in love with her," recalls Beatrice. Later, his parents would find Inga in the center, alone, and it would have confessed them Nicanor "made a trip and brought to another Swedish is terrible." La "another Swedish" was Sun Axelsson, poet about 23 Parra years who met in Stockholm. Sun was the girlfriend of poet and translator Lasse Söderberge, but was delighted with Parra. Sergio Badilla, who lived in Stockholm for many years, knew the story from Sun Axelsson: "Nicanor sees a brunette with blue eyes and, as he always It was very flir- teador begins to honor her. Nicanor was about 44, but that does not matter. poet is always young soul. " While in Stockholm, Nicanor stays in the house Sun in south Stockholm . He then travels to Beijing and brings you a roll of gift black, raw silk from China. Sergio Badilla says Sun Axelsson, now in his 70s, still has that gift. . And she herself has said the months that followed, in which Nicanor stayed at home, were "months of bliss" In the interview he did with José Donoso, Parra explains his fascination with Swedish women ' It's as if sex did not matter to them and seek pleasure without inhibitions and, if possible, without moorings sentimental.'s true that I'm talking about a very liberated environment, the world corresponding to the 'beatniks', and the 'angry young men', and I imagine that there will be there, as elsewhere, environments with very different customs. sexual freedom but Nordic is something ... well, that we can not imagine in Chile. I , I'm not a saint, I was there a real prude. " What came after the mutual fascination between Nicanor and Sun Axelsson was confusing. The poet returned to Chile, together with Inga, and while Sun decided to come after him. Only when he reached Santiago Parra learned that he was married. Sun Axelsson has written books recounting his spite. He said that Nicanor spoke with her sister Violet to take over, that left locked, did not want to see anyone and did not believe him when he fell ill with typhus was made. In the ongoing discussions on the elusive Nobel for Parra has spoken of the damage that despite Sun Axelsson has caused in the campaign for the prize, and although the Swedish and stated that forgave Nicanor, has to his credit three books in mentioning its history with the poet. "Sun will not only write against Nicanor," says Sergio Badilla, "but ignores it. She is the great translator from Spanish into Swedish, and he published an anthology poemita and puts it up to poets of my generation, who by then had not even made a play. ningunearlo That is. " When Beatriz Ortiz de Zarate met Sun, was about seventeen. She was a young art student. He was presented to the Swedish the same day he met Jorge Enrique Lihn and Teillier, who later became her husband. Sun, recalled: "He had the face of a lion, with big green eyes proposed a great sexual freedom.". Years after the break, Nicanor wrote in Aromos: "Strolling years / On a street of acacia blossom / Supe for Friend knowledgeable / That you were just married. / I replied that indeed / That I had nothing to do with it. / But although never loved you / That you know better than anyone / Whenever flourish aromos / Imagine you / I feel the same thing I felt / When I was shot point blank / Pretty bleak / That you were married to other news. " To his friend Francisco Vejar, Nicanor Parra recognized that these verses written in 1967 were for Inga Palme. WOMEN'S IMAGINARY since married the poet Jorge Teillier in 1963, Beatriz Ortiz de Zárate began frequenting the house Nicanor Parra was in Regina. By then, he was married to Rosita Parra Munoz, who was employed by the poet. They had one son, Ricardo. "Nicanor said Rosita star had eyes, was his queen, he fell in love with it," says Beatriz, who got to know quite Rosita. "You was brunette, very cute eyes, very sharp and very bright He had everything spotless Nicanor,.. A hostess splendid house, a wonderful hostess who knew silence had the same type of Anita Troncoso, one of the beauties painted by Gauguin. " There is no explicit correspondence between Rosita parriana Muñoz and literature. Yes there are hints of other women with similar physical characteristics to Ana Troncoso and Rosa Muñoz. . This is Monica Silva, a said woman quote a verse of Parra Francisco Vejar heard of it: "In one of the bedrooms of his home in La Reina is a zoomed picture Nicanor told me it was the real Monica Silva, and. yours corresponded to Chilean traditional beauty I said. 'So you know it, Pancho, Monica Silva existed in real life, is it' he did not tell me details ".. After Rosita Muñoz, Nicanor fell in love, a pretty young blond, very blue eyes. "A beautiful woman," have told Francisco Vejar. Nury Tuca She was the mother of the youngest of Nicanor Parra, Colombina John of God and children. "It was a very strong romance, no passenger, but also very controversial," said Vejar. And that because Parra, according to his friend, he likes not only the most beautiful women, but also "complicated." Francisco says that Nicanor has left certain nostalgia for his unfinished love. Not all, however, have had the significance of that Molinare said Ana Maria, the woman who inspired the verses of the imaginary man. Cristián Warnken said he is "the best poem of love and pain in Castilian." For therefore deserves the Nobel. In its concluding verses, we read: "And the moon is imaginary / dreams of imaginary woman / that gave him his imaginary love / again feel that pain / the same imaginary pleasure / and returns to pulse / heart of imaginary man. " During the visit Véjar Francisco Parra made him a month ago, the poet confessed that he was in love with Ana Maria. "Molinare Mary Anne was a woman of character, as is also Nicanor" elaborates Véjar. They met in the late 70s, she was separated and had about 34 years. Nicanor twice her age. They lived together for a couple of years and so has one of her friends, their relationship was "very intense and strong. Was treated to a passionate love, very romantic for her. Was fascinated with him, he was much loved and he was a great poet. During those years there was already a group that postulated the Nobel ". "They were at different stages," adds the same source, explaining why the relationship did not prosper. Several years after the end of his relationship with Nicanor, Ana Maria died tragically after falling from his apartment. Probably after it has been other women. Francisco Vejar last met, with whom he lived at least until 1996, three years earlier, arrived in Las Cruces Véjar with Antonio and Jorge Teillier Avaria and opened the door a young girl, wearing shorts and T-shirt. He said that Nicanor was napping, to return later. "Her name was Andrea Lodeiro" recalls Véjar. "When we returned, she was dressed very elegant and Nicanor had become very fine rates for serving tea. Each time I saw her, she was really incorporated into the daily life of Nicanor Parra. If I needed a book she knew where he was and what they brought. were couples, walking hand in hand. " Francisco coincided with both again in the winter of 1994, at a meeting of writers in Temuco. "They went everywhere together for Nicanor and was very happy, very proud to present". Nicanor and Andrea have separated after 1996 That year was the launch of Vine Leaves, the last time I saw them together Francisco Vejar. "I was very close to him at that time and Nicanor fell ill after that separation. Were very much in love. After Andrea and the tears came the speech of the hermit, who retires to the forest and resignation." Under the Code of Manu, the hermit goes alone and naked in the forest. He explains the Parra own, at least. On the terrace of his home in Las Cruces, sitting on a white chair, plastic, Nicanor has shredded all the steps you need to follow a superior man by the book of life of the Hindus. Like the hermit, Parra is alone; do not know if she's happy. "A Nicanor he took one lady, a woman who was his partner in the spiritual, emotional world. He did not recognize or say it, but I feel that it took him" Francisco Vejar had mentioned. After the speech of the hermit, those words make sense. question would be La Parra challenges, as it were, again, a teacher dictating Chair What the hermit goes alone into the woods? He goes after Brahma. You will wonder who is Brahma. Universal soul which we were mutilated against divine will, by demons masquerading as gods ... Nicanor pauses and seems finally out of the reverie that cause eastern precepts. Leave the speech teacher who has argued for more than an hour, and confesses: I read this late. I came to Las Cruces as a hermit for 80 years. Long ago I should have been ascetic. Overall, errors and omissions excepted, it seems to me that this is the most coherent worldview on sociability ... About how we got to this point, do you remember? way of Platonic love. The only one I now feel able Parra.
ARTEFACTOS DRAMÁTICOS - NICANOR PARRA
NICANOR PARRA - ARTIFACTS By Adolfo Vasquez Rocca
I think that after me, is the most important of his life. After finishing Nicanor was a long time out of Chile, and became very unstable for something I never knew. It was the announcement of an end.
Parra This love inspired text that sounds like a mantra invoking divinity: The imaginary man. "I wrote it with a gun on the desk. It was either that or suicide, "he said later. Cristián Warnken considered "the most beautiful love poem written in Castilian pain." By Parra decision was read to the princes of Asturias. However, no environment Ana Maria seems willing to talk about this important muse. One sister, Catherine, former Miss Chile 1971 Maja, who lived in Madrid for those years, said he knew nothing. "My brothers say no more. For the family is not an issue, "he adds.
Nicanor Parra forever passionate
- Andrea and Lodeiro Nicanor Parra
- Photo Lincoyán stop .
He has lived twice. In 2014 he turned 100, and then we should celebrate its bicentennial. Here are their desparpajos calculated, their relationship with God and unbearable heartache.
Its head is a tangle of father and lord in religion. That many think. He has used all his mocking battery central symbols of Christianity. Let's see:
Lamb of God to wash the sins of the world
me a favor and tell me the time.
lavas Lamb of God that the sins of the world
Give me your wool to make me a sweater.
me a favor and tell me the time.
lavas Lamb of God that the sins of the world
Give me your wool to make me a sweater.
Use sarcasm in almost everything, but he steps aside: "What counts in the poem is the lyric speaker, with which I work. He must charge you the dice; he responds consistency or inconsistency of the poetic text. Not me. "
But are there "hidden religion" in antipoetry, as stated by the literary critic Ibáñez Langlois , Opus Dei, which he did in '70 consecrating praise? Perhaps. It would be in the unconscious. Why did John of God to his last child? The same Ibáñez when last year it was granted the 'Cervantes Prize', seemed to say that is a great poet, period, because I asked about "what ideas Parra are", said: "There is a man of ideas. He himself has acknowledged many times. There's nothing like a worldview. It is scattered and chaotic reading. You searched some support for your ideas to post to have something like ecology. Definitely, Parra will not be for their ideas. In his poetry is all. One time he gave to the Far East and Taoism. "
But are there "hidden religion" in antipoetry, as stated by the literary critic Ibáñez Langlois , Opus Dei, which he did in '70 consecrating praise? Perhaps. It would be in the unconscious. Why did John of God to his last child? The same Ibáñez when last year it was granted the 'Cervantes Prize', seemed to say that is a great poet, period, because I asked about "what ideas Parra are", said: "There is a man of ideas. He himself has acknowledged many times. There's nothing like a worldview. It is scattered and chaotic reading. You searched some support for your ideas to post to have something like ecology. Definitely, Parra will not be for their ideas. In his poetry is all. One time he gave to the Far East and Taoism. "
The truth is that Taoism has never left, and is where perhaps expressed most obvious religiosity. To dress like an almost destitute hermit monk. Facing extreme pain, which made him think of suicide, he took refuge in despair in the Tao Te Ching, core philosophy and Taoist religion, spiritual foundation of Chinese life. A Parra is not known any text in Taoism serve to make anyone laugh. Luce earnest, respectful. As a Brahmin Hindu baby with fervor the 'Laws of Manu'. In Orientalism quenches his thirst for eternity. At times angry, yields to grumpy: All I had to say has been said I do not know how many times. I've asked do not know how many times but no one answers my questions. 's absolutely necessary That abyss respond once 'Cause it is becoming short time. Only one thing is clear That the meat is filled with worms.
At its most stubborn interpreter, Cesar Cuadra, who won a European PhD on the same subject, and has just released another book about his anti-poetry, asked if he found religious faith in those texts. "No. With Parra, God only operates as a science, is a function. " And since the poet dedicated his complete works God "exists or not," I say we could not be a believer or an atheist, but an agnostic, that it neither confirms nor denies. No block Cuadra think.
Challenging death
On the subject of death, also lives up to what he said about Enrique Lihn antipoetry: "It's more tangled than an ear." Despite his success in life, being a sensualist in almost all possible expressions of pleasure, their experience of almost 100 years seemed to bring him closer to another life ... And aspirations of resurrection! In his Anti-Lazarus speaks to an imaginary body wanting to resurrect that may be it:
Old bad memory bad memory!
your heart was a pile of rubble
I am quoting your own writings-
and your soul there was nothing
to do then return to Dante's Inferno
what for comedy again?
do or what Divine Comedy 8 / 4
flying light-mirages
bait to hunt greedy lauchas
that really would be nonsense
body're happy you're happy
in your grave you do not need anything
laugh at the goldfish (...)
your heart was a pile of rubble
I am quoting your own writings-
and your soul there was nothing
to do then return to Dante's Inferno
what for comedy again?
do or what Divine Comedy 8 / 4
flying light-mirages
bait to hunt greedy lauchas
that really would be nonsense
body're happy you're happy
in your grave you do not need anything
laugh at the goldfish (...)
The "collective habits" die is always subject grabbed his pen. And not just because he was tempted to take the same path her sister Violet, which pains of love decided to renounce the world. It is easy to see why he wrote the most challenging, rugged and poorly spoken text is known about the dreaded Grim Reaper. Parra prefers to remain silent, he washes his hands. Gave the floor to his "lyric speaker." Look how dialogue with Death
A home of poet
death arrives drunk
to open my old'm
looking for a sheep guacha
am sick-then
forgive old menhaden
Ábreme old bastard
Or vai to mohtrar l'lint?
for very sick quehtí
teníh quiafilame I'hacha
quiet me die
I tell you vizcacha old ...
death arrives drunk
to open my old'm
looking for a sheep guacha
am sick-then
forgive old menhaden
Ábreme old bastard
Or vai to mohtrar l'lint?
for very sick quehtí
teníh quiafilame I'hacha
quiet me die
I tell you vizcacha old ...
Those who have been with him lately, as his friend the writer, photographer and cultural manager Martin admire Huerta- the implacable memory of his lucidity intact. But it 12 years ago said to Marcelo Simonetti :
"Sometimes I come lagoons and wonder what I'm doing here."
Brings many years asthma problems and now finally, dizziness. Behind lumbago haunts him, so used a donkey to walk, tells Cesar Cuadra. Lincoyán Parada, who began photographing 40 years ago, found him recently at his home in Las Cruces reading without glasses, full of spirit and dress like a long time, with second-hand clothes. Older, of course. "How life changes us, Don Nicanor," he said. "Broom", replied without hesitation. Before his departure for China, invited to exhibit his photos of the Mapuche world to stop talking about his last encounter with Nicanor. He has been twice this year with him, alone, at home, with the intent to photograph him with his clan. Want to add these photos to your graphic history of Parra, where they are and your mother, grandmother, brothers, some of his great loves.
How was it?
'I can not accept. Maybe not to appear as an old beautiful secluded in his stronghold of Las Cruces. On my second visit was not as good. Soon, perhaps to not talk about my project, he said: "I give interviews only five minutes." I resigned I suggested: "Although a single photo, Don Nicanor, quickie". I glanced my camera ... only needed a yes. "It is five minutes end!" He announced. "You have 10 seconds. Take one if it's that rascal, "said the old fox bringing his hands to his face, trick been using for years. In a thirtieth of a second stretch his arm out and a click, a slap of drowning. Not enough to cover his face. My last picture of him is the story of that split second.
The quality of this picture, we see in these pages, does honor to the poet or the photographer. But it is the testimony that the approach at 100 Nicanor Parra preserved the ability to play.
The quality of this picture, we see in these pages, does honor to the poet or the photographer. But it is the testimony that the approach at 100 Nicanor Parra preserved the ability to play.
I forgot that I forgot
The most feared Chilean critic of the twentieth century, Alone, and applauded a youth Parra, "the most vibrant and smiling, floral and festive new poets ... brash, funny, dreamy and distant suddenly, unpredictably, inexhaustible, familiar, exquisite ... extraordinary ... whose side are dissolved or others fleeing, bass, minimal ... still. " All I saw Alone have seen their wives, a crowd !, almost all faceless trace. There are some exceptions, starting with the three mothers of his six children. One is Nuri Tuca, whose children were born. Juan de Dios and the Columbian musician, mother of Christopher Ugarte, a year ago Parra represented in the Cervantes Prize before the princes of Asturias Nuri, which has been described by Parra as "inexplicable young" - told us: -for my kids mainly, I feel the most important women that Nicanor was married. Also because they were about ten years of marriage, since 1969, with many good things, especially while living in America. There were some not so good, of course. It was intense. Very important was also his wife of 26 years, Ana Troncoso. They had three sons and a relationship that lasted until the poet, married in Chile with her, returned to Oxford ... married to the Swedish Inga Palmer. Liberal and patient Norse children would not leave. "I found the most beautiful girl I had ever seen," Parra said. The marriage survived almost a decade, despite the self-confessed "emotional instability" of Parra. A tough episode was the emergence of another Swedish teen Sun Axelsson poet, friend of the secretary of the Swedish Academy until she met antipoet. She made the amatory Parra outbursts of passion to spend more time in your life threatened. Thus, you spend your text Viper (others believe it was a Stella Díaz Varin poetess with whom he had another complicated love episode). Many say Axelsson, for his writings and connections with the Academy, has helped block his way to the Nobel.
In '60, Rosa Muñoz, a young brunette, cute, with little training, came home in the work plan, and ended up being the mother of his fourth child, Ricardo Nicanor the Chamaco.
But none of the above has been for so long in love and memory of Parra as a young 32 year old was your partner for just two months. Separate or marital crisis, Ana Maria Vergara Molinare, a graduate of St. Ursula, "was what I dreamed and that at age 64 he thought he had found," he told Chilean Literature Professor Leonidas Morales Toro, in the book Conversations with Nicanor Parra. Confessed something more, on pain after being dumped, "I should have done what she did. He killed himself. Not for myself, not at the time, but years later. I survived thanks to Taoism. "
But none of the above has been for so long in love and memory of Parra as a young 32 year old was your partner for just two months. Separate or marital crisis, Ana Maria Vergara Molinare, a graduate of St. Ursula, "was what I dreamed and that at age 64 he thought he had found," he told Chilean Literature Professor Leonidas Morales Toro, in the book Conversations with Nicanor Parra. Confessed something more, on pain after being dumped, "I should have done what she did. He killed himself. Not for myself, not at the time, but years later. I survived thanks to Taoism. "
Three decades have passed. And a few weeks ago when I visited stop, the poet asked him a picture of her rescue. It's that time usually does not cure anything. The poet complained 12 years ago. "Can you believe it's been so long and everything has always been the same?". As on the album Black Tears, could sing "I forgot that I forgot."
Beauty, grace and elegant figure of Ana María Molinare are remembered by Nuri Tuca, Parra woman until shortly before the meeting:
Beauty, grace and elegant figure of Ana María Molinare are remembered by Nuri Tuca, Parra woman until shortly before the meeting:
I think that after me, is the most important of his life. After finishing Nicanor was a long time out of Chile, and became very unstable for something I never knew. It was the announcement of an end.
Parra This love inspired text that sounds like a mantra invoking divinity: The imaginary man. "I wrote it with a gun on the desk. It was either that or suicide, "he said later. Cristián Warnken considered "the most beautiful love poem written in Castilian pain." By Parra decision was read to the princes of Asturias. However, no environment Ana Maria seems willing to talk about this important muse. One sister, Catherine, former Miss Chile 1971 Maja, who lived in Madrid for those years, said he knew nothing. "My brothers say no more. For the family is not an issue, "he adds.
The pains did not stop Ana Maria Parra later lived another great love with a beautiful young girl named Andrea Lodeiro. With it began an intense relationship when I was 78, which lasted until after 82 Now she, expert on issues of intelligence, unfolds in a military-academic environment and prefer that your name not be known for that relationship with Parra, whom he calls "the Nicanor".
'd rather not talk about. I think Nicanor deserves all the respect in the world and is the most important man in my life. It may bother saying anything. Private is ours, why should I be in a magazine?
'd rather not talk about. I think Nicanor deserves all the respect in the world and is the most important man in my life. It may bother saying anything. Private is ours, why should I be in a magazine?
'But there is already !, and contradictory versions. Is not it better that the substance is known from his mouth? Why the mystery?
Because not only have I loved, but still, after 15 years, the most powerful man I have ever had with me.
Because not only loved him, but still, after 15 years, the most powerful man I have been at my side and would prefer to stay out of any analysis. Not comfortable. I have experienced firsthand, because every time I mention that Nicanor, I do not like. I know how it feels. -¿Está upset with him? 'No! We are good friends ... We talk on the phone sometimes; also sometimes I'll see.
-¿La Relationship left a good
memory? 'The best of all. It is a key man in my life. I would say that my loyalty and affection remain almost intact. After my two children, there is another very important person to me.
memory? 'The best of all. It is a key man in my life. I would say that my loyalty and affection remain almost intact. After my two children, there is another very important person to me.
When and how you met?
-A see ... in 1989 came to give a talk at Liceo Fleming, Las Condes, where I studied. I went to greet him. We had a lot of admiration. And I asked if I could go see. Visited him from time to time to inquire stuff. Our life together began in 1992 and ended only in 1997 was almost a slow process. You start to realize that it is very important for your life together is inevitable. 20s-he had you and he 78. It seemed an age to that relationship? 'I live without naming things. I did not measure the consequences. And what! He was born naturally and is very-very important to me. -Natural. It is easy to imagine a teen dazzled by someone who for thousands of young people is almost a rock star. 'It's not like that. The Nicanor of my life is not the character, is the man. I never linked me with "character." I admire and always admired him, but I feel much shame when I think that someone thinks I approached him to give me good shade. After studying journalism I devoted to the topic of intelligence, I interacted with most military writers. AAInteligencia Andrea created the magazine, he headed for 10 years and is now its senior editor. Still single and had two sons, one a teenager. He wrote there that one day you left the house telling Nicanor screams. "! I'm expecting a child that is not yours" It was pretty less cartoonish than they have. But sure enough, one day our relationship had to end. It was almost natural process, the age difference. It could not be my partner forever. Sometimes things have to take another course, and that was just. No one may wonder.
-A see ... in 1989 came to give a talk at Liceo Fleming, Las Condes, where I studied. I went to greet him. We had a lot of admiration. And I asked if I could go see. Visited him from time to time to inquire stuff. Our life together began in 1992 and ended only in 1997 was almost a slow process. You start to realize that it is very important for your life together is inevitable. 20s-he had you and he 78. It seemed an age to that relationship? 'I live without naming things. I did not measure the consequences. And what! He was born naturally and is very-very important to me. -Natural. It is easy to imagine a teen dazzled by someone who for thousands of young people is almost a rock star. 'It's not like that. The Nicanor of my life is not the character, is the man. I never linked me with "character." I admire and always admired him, but I feel much shame when I think that someone thinks I approached him to give me good shade. After studying journalism I devoted to the topic of intelligence, I interacted with most military writers. AAInteligencia Andrea created the magazine, he headed for 10 years and is now its senior editor. Still single and had two sons, one a teenager. He wrote there that one day you left the house telling Nicanor screams. "! I'm expecting a child that is not yours" It was pretty less cartoonish than they have. But sure enough, one day our relationship had to end. It was almost natural process, the age difference. It could not be my partner forever. Sometimes things have to take another course, and that was just. No one may wonder.
Adolfo Vásquez Rocca PH. D. Doctor of Philosophy from the Catholic University of Valparaiso; Graduate University Complutense of Madrid, Department of Philosophy IV. Professor of Graduate Institute of Philosophy of the Catholic University of Valparaiso; Professor of Anthropology and Aesthetics in the Department of Arts and Humanities at the Universidad Andrés Bello UNAB. Professor, School of Journalism and Architecture UNAB Santiago. In October 2006 and 2007 he was invited by the Foundation Man and World UNAM and to teach a Lecture in Mexico. Member of the International Editorial Board of the Global Ethic Foundation of Mexico. Director of the International Advisory Council Konvergencias , Journal of Philosophy and Culture in Dialogue, Argentina. Member of Editorial Conselho da em Revista Humanities , Universidade Regional do Noroeste do Estado do Rio Grande do Sul, Brazil, and the Editorial Board of Sophia (Journal of Philosophy of the Catholic University of Ecuador). Director Remarks Philosophical Magazine . Visiting Professor in the Masters in Philosophy from the Autonomous University of Puebla. Visiting Professor Florida Christian University USA and Associate Professor Theoria -Proyect European Research Group UCM Postgrado- . Academic Researcher from the office of Research and Graduate Studies, Universidad Andrés Bello. conceptual artist . He published the book: Peter Sloterdijk; Spheres, cosmic ice and climate policies , Novatores Collection, No. 28, Editorial Institution of Alfons the Magnanimous (IAM), Valencia, Spain, 2008 Special guest at the International Conference of the Lisbon Architecture Triennale | Lisbon Architecture Triennale 2011 .
Vásquez Rocca, Adolfo, " Nicanor Parra: antipoetry, parodies and hybrid languages ". (Homage to mark the 90th anniversary of Anti-Poet). Virtual Library Literature / Satirical / Review. SEVILLA, SPAIN, December 2004. http://www.trazegnies.arrakis.es/parra.html
Nicanor Parra
I
TO HERE THE SPEECHES HAVE BEEN GOOD
TO HERE THE SPEECHES HAVE BEEN GOOD
But long
the mine will be bad which certainly fits
But short
the mine will be bad which certainly fits
But short
I am proposing pass to the book
as the speaker + laconic of the tribe
as the speaker + laconic of the tribe
Para decirlo todo de una vez
Advertiré que mi discurso consta de una sola palabra:
Gracias señor Rector
Es un honor muy grande para mí
Inmerecido por donde se mire:
En esto sí que soy intransigente
He dicho
Advertiré que mi discurso consta de una sola palabra:
Gracias señor Rector
Es un honor muy grande para mí
Inmerecido por donde se mire:
En esto sí que soy intransigente
He dicho
VI
TO THE WORD DOCTOR
TO THE WORD DOCTOR
It will awarded to less the following meanings
Alguien que conoce bien su materia
Alguien que tiene algo que decir
Una voz que viene de lejos
Uno que hace hablar a las estatuas
Alguien que habla sin mover los labios
Un espectro que se ríe de todo
Incluida la demostración ontológica de la ∃ de Marx
Sombra que se desplaza x la Biblia
Como don Pedro Aguirre Cerda x su casa de Conchalí
Alguien que tiene algo que decir
Una voz que viene de lejos
Uno que hace hablar a las estatuas
Alguien que habla sin mover los labios
Un espectro que se ríe de todo
Incluida la demostración ontológica de la ∃ de Marx
Sombra que se desplaza x la Biblia
Como don Pedro Aguirre Cerda x su casa de Conchalí
Me quedo con el sentido
Que le asigna la Commedia Dell ' Arte
Dos puntos
Personaje grotesco
Caricatura de universitario pedante
Se le reconoce x sus discursos retóricos interminables
Plagados de citas greco-latinas
En Chile quiere decir matasano
Comúnmente se usa como sinónimo de Jefe
En sentido burlesco:
Hola Doctor
Hola Maestro Hola Jefe
Tratar a alguien de Dr. en Chile
Es casi tan grave como sacarle la madre
Que la verdad no quede sin ser dicha
Que le asigna la Commedia Dell ' Arte
Dos puntos
Personaje grotesco
Caricatura de universitario pedante
Se le reconoce x sus discursos retóricos interminables
Plagados de citas greco-latinas
En Chile quiere decir matasano
Comúnmente se usa como sinónimo de Jefe
En sentido burlesco:
Hola Doctor
Hola Maestro Hola Jefe
Tratar a alguien de Dr. en Chile
Es casi tan grave como sacarle la madre
Que la verdad no quede sin ser dicha
VIII
JOKES ASIDE
JOKES ASIDE
Qué se hace en un caso como éste
Yo Doctor Honoris Causa?
Yo profeta en mi tierra?
Permítame que me sonría …
Tomadura de pelo + grande no hay
Faltan palabras en el diccionario
Los lugares comunes de rigor
Acuden como moscas al antipoema
Lo mejor será quedarse callado
Me consolaré pensando
Que de poeta
de doctor
& de loco
Todos tenemos un poco
Según reza la lira popular
Yo Doctor Honoris Causa?
Yo profeta en mi tierra?
Permítame que me sonría …
Tomadura de pelo + grande no hay
Faltan palabras en el diccionario
Los lugares comunes de rigor
Acuden como moscas al antipoema
Lo mejor será quedarse callado
Me consolaré pensando
Que de poeta
de doctor
& de loco
Todos tenemos un poco
Según reza la lira popular
XIII
WHAT HAPPENS!
WHAT HAPPENS!
I see that they are yawning:
No matter
Blessed are those who have sleep
Because not take in staying asleep
No matter
Blessed are those who have sleep
Because not take in staying asleep
XXII
CAPITALISM & SOCIALISM
CAPITALISM & SOCIALISM
Economicisms nineteenth
Past the Principle of Finitude
Past the Principle of Finitude
Neither socialist nor capitalist
But all the contrary Mr Director:
Environmentalist intransigent
But all the contrary Mr Director:
Environmentalist intransigent
We understand x environmentalism
A motion socioeconomic
Based on the notion of harmony
Of the species human with its average
A motion socioeconomic
Based on the notion of harmony
Of the species human with its average
That fight x a life playful
Creative
egalitarian
pluralist
free of exploitation
Creative
egalitarian
pluralist
free of exploitation
And based on the communication
and collaboration of large & boys
and collaboration of large & boys
XXXII
A MILLION OF THANKS
A MILLION OF THANKS
A los oradores
Que me han precedido en el uso de la palabra
A todos los presentes
Y con mayor razón a los ausentes
Sus razones tendrán para no estar aquí
Nada en el mundo ocurre porque sí
Que me han precedido en el uso de la palabra
A todos los presentes
Y con mayor razón a los ausentes
Sus razones tendrán para no estar aquí
Nada en el mundo ocurre porque sí
Sure that I would gladly
View in first row
View in first row
At the Holy Trinity of the Chilean Poetry
Mother
Son
& Spirit Santo:
Mother
Son
& Spirit Santo:
In the Mistral
in taken of monk Franciscan
in taken of monk Franciscan
A Neruda
From tie of pink and of hat brimmed
From tie of pink and of hat brimmed
A Huidobro
Disguised by Cid Campeador
Disguised by Cid Campeador
A Magallanes a Pezoa Véliz
Al heroico Domingo Gómez Rojas
(1896-1920)
Está de centenario
A Enrique Lihn a Eduardo Anguita
Doctores todos x derecho propio
Al heroico Domingo Gómez Rojas
(1896-1920)
Está de centenario
A Enrique Lihn a Eduardo Anguita
Doctores todos x derecho propio
For + that I open the eyes not the see
It me say that are in their poems
to another Parra with the bone
I + probable is that not being in any part
to another Parra with the bone
I + probable is that not being in any part
These
& other mysteries unfathomable
& other mysteries unfathomable
XXXIII
IN SUMMARY
IN SUMMARY
in synthesis
in good romance:
in good romance:
Many the problems
A the solution:
A the solution:
Economy Mapuche of Subsistence
Nicanor Parra: antipoetry, Parodies and Languages Hybrids5
| TEACHERS |
 |
 |
questions that were irrelevant
how complex numbers are added
or not there spiders in the moon
how the Tsar's family died
is it possible to sing with your mouth closed?
whom he painted a mustache on the Mona Lisa
do you call the inhabitants of Jerusalem
or not there is oxygen in the air
how many apostles of Christ
what is the meaning of the word consueta
what were the words that Christ said on the cross
who is the author of Madame Bovary
where Cervantes wrote Don Quixote
how he killed David Goliath
etymology of the word philosophy
which is the capital of Venezuela
when the Spaniards arrived at Chile
Nobody will say that our teachers
were a rolling encyclopedias
exact opposite:
a modest primary teachers
or secondary can not quite remember
which of itself-that cane and coat
as we are at the beginning of the century
had why bother
to bother that way
except for unmentionable reasons
why so many educational hobby to
such cruelty in the black void!
Denture tiger
scientific name of the swallow
for many parts has a solemn mass
which is the formula of sulfuric anhydride
how fractions add unlike denominators
stomach of ruminants
pedigree of Felipe II
Nuremberg Meistersinger
Matthew
five Finnish poets name
etymology of etymology
law of universal gravitation
to which family owned the cow
are they called wings of insects
to which family owned the platypus
least common multiple between two and three
there is no darkness or in the light
of the solar system
amphibian respiratory
organs of fish unique
system periodic elements
author of The Four Horsemen of the Apocalypse
what the phenomenon called es-pe-jis-mo
how much delay a train to get to the moon
how chalkboard say in French
underline words ending in a consonant.
really the things
is that we sat in the dispute
who would bother with those questions
in the best case just made us tremble
only bad head
the real truth of the matter
is that we were people of action
in our eyes the world was reduced
to the size of a soccer ball
and kick it was our delusion
our reason for being teenagers
there were championships which lasted until night
still see chasing me
invisible ball in the dark
had to be owl or bat
to avoid colliding with the walls of adobe
that was our world
questions our teachers
went gloriously for our ears
like water duck back
without disturbing the calm of the universe
constituent parts of the flower
which family belongs weasel
method of preparing ozone
Balmaceda political testament
surprise Cancharayada
where the liberating army entered
insects harmful to agriculture
how the Poema del Cid begins
drawing a differential sheave
and determine the equilibrium condition.
Friendly reader will understand
that we wanted more than just
more than absolutely necessary:
to Determine the height of a cloud?
do you calculate the volume of the pyramid?
do you prove that root of two is an irrational number?
do you learn by heart the Songs of Jorge Manrique?
leave you of nonsense with us
today we have to decide a championship
but came tests written
and then oral evidence
(in a boiler fell scrubbing)
with a regularity worthy of a better cause:
electromagnetic theory of light
in which the minstrel of minstrel differs
is it correct to say eggs are sold?
do you know what is a well ? artesian
classify birds Chile
murder of Manuel Rodríguez
French Guiana independence
hero Simon Bolivar or antihero
O'Higgins abdication speech
you are more than a light bulb hanging
Teachers were right:
really really
brain escaped us by noses
to see how we There was teeth chattering
what the colors of the rainbow should
Magdeburg hemispheres
scientific name of the swallow
frog metamorphosis
what Kant meant by the categorical imperative
how Chilean pesos are translated into sterling
who introduced Chile Hummingbird
why not drop the Tower of Pisa
why not the Hanging Gardens of Babylon break down
why not the moon fall to earth?
departments Ñuble
how a right angle trisecta
how many and what are the regular polyhedra
it has not the slightest clue.
would have preferred that the earth swallow me
answer those questions crazy
especially after moralizing little speeches
that subjected us to impajaritablemente other day
do you know how much does the state
every Chilean citizen
from moment you enter elementary school
until leaving college?
million pesos sixpence!
A million pesos sixpence
and were pointing their finger:
how the hydrostatic paradox is explained
how ferns reproduce
enuméreme volcanoes in Chile
which is the longest river in the world
which is the world's most powerful battleship
how elephants breed
inventor of the sewing machine
inventor of balloons
you are more hung a bulb
will have to go to the house
and return with their parents
to talk with the Rector of the Establishment.
Meanwhile WWI
Meanwhile WWII
Adolescence courtyard at the bottom of
Youth under the table
Maturity has not met
Aging
. ........... with insect wings.
of Grape Leaves (Santiago, Ganymede, 1985)
Adolfo Vásquez Rocca, antipoetry and deconstruction; Nicanor Parra, dramatic recovery of artifacts and empirically speaking , in Journal of Literary Criticism and Poetry VeroAdos, Spain, 2005 http://www.filosofia.tk/versoados/articulos/articulo_antipoesia.htm
Adolfo Vásquez Rocca, " Nicanor Parra: antipoetry, parodies and hybrid languages ", in The House of Asterion, Journal of Literary Studies, Volume VIII, No. 29, 2007, ISSN: 0124-9282, Faculty of Education, ATLANTIC UNIVERSITY, Colombia . http://casadeasterion.homestead.com/v8n29antip.html
Vásquez Rocca, Adolfo, " Nicanor Parra: antipoems, parodies and hybrid languages antipoetry From the language of the Artifact. "Homage to mark the 2011 Cervantes Prize, In Haystack, NET ZERO, Founding Member of ARDE Digital Magazines Association of Spain; Madrid; ISSN: 1695-4807. Madrid, January, 2012
Vásquez Rocca, Adolfo, " Nicanor Parra: antipoems, parodies and hybrid languages antipoetry From the language of the Artifact. "In NOMADS, Journal Review of Social and Juridical Sciences - Universidad Complutense de Madrid UCM, No. MONOGRAPHIC [Special No.: Latin America (2012)] p. 213-231 http://www.ucm.es/info/nomadas/americalatina2012/adolfovasquezrocca_2.pdf
PARRA NICANOR TURNS 100 _ Self Portrait _ NICANOR PARRA: antipoems, PARODY AND LANGUAGES HYBRID. THE LANGUAGE OF antipoetry ARTIFACT DR. ADOLFO VASQUEZ ROCCA
| SELF |
|
Consider, boys,
this overcoat mendicant friar:
I am a teacher in a dark high school,
I lost my voice making classes.
(After all or nothing
I do forty hours a week).
Which tells slapped my face?
Truth inspires pity at me !
And what they suggest these shoes cure
That aged without art or part.
Regarding eyes, ten feet
I do not even recognize my own mother.
What about me? ! 'Nothing
I've ruined by the classes:
The bad light, the sun,
Poison wretched moon.
And all for what!
bread to win an unforgivable
Face Tough as bourgeois
and smelling and tasting blood.
For what we were born as men
Give us a death of animals!
By overwork, sometimes
I see strange in the air ways,
I hear crazy races,
Laughter, criminal conversations.
Observe these hands
And these white cheeks cadaver
These few hairs I have left.
infernal These black wrinkle!
But I was just like you,
young, full of beautiful ideals
dreamed melting the copper
and diamond faces filing:
Here I am today
behind this uncomfortable inn
brutalized by the singsong
De five hundred hours a week.
Of Poems and antipoems (Santiago, Nascimento, 1954)
NICANOR PARRA - antipoems
NICANOR PARRA
Obras NICANOR PARRA
- 1937 - Cancionero sin nombre
- 1954 - Poemas y antipoemas, Nacimento, Santiago.
- 1958 - La cueca larga
- 1960 - Antipoemas
- 1962 - Versos de salón
- 1963 - Manifiesto
- 1967 - Canciones rusas
- 1969 - Los vicios del mundo moderno
- 1969 - Obra gruesa, Universitaria, Santiago.
- 1971 - Los profesores
- 1972 - Artefactos
- 1977 - Sermones y prédicas del Cristo de Elqui
- 1977 - Nuevos sermones y prédicas del Cristo de Elqui, Galería Época: Estudios Humanísticos, FCFM. Universidad de Chile.
- 1981 - El anti-Lázaro
- 1982 - Poema y antipoema de Eduardo Frei
- 1983 - Cachureos, ecopoemas, guatapiques, últimas prédicas
- 1983 - Chistes pa/r/rá desorientar a la policía/poesía
- 1983 - Coplas de Navidad
- 1983 - Poesía política
- 1985 - Hojas de Parra
- 1993 - Poemas para combatir la calvicie
- 1996 - Objetos prácticos, más tarde calificados de Artefactos visuales
- 1997 - Nicanor Parra tiene la palabranota 1
- 2001 - Páginas en blanco
- 2002 - Artefactos visuales, dirección obligada, Dirección de Extensión/Pinacoteca, Universidad de Concepción.
- 2004 - Lear Rey & Mendigo
- 2006 - Discursos de sobremesa
- 2006 - Obras completas I & algo + (1935-1972), Galaxia Gutenberg/Círculo de Lectores, Barcelona.nota 2
- 2009 - Poesía y antipoesía, Clásicos Castalia.
- 2011 - Obras completas II & algo + (1975-2006), Galaxia Gutenberg/Círculo de Lectores, Barcelona.
- 2012 - Así habló Parra en El Mercurio, El Mercurio-Aguilar, Santiago.6 nota 3
Colaboraciones
- 1965 - Recordando a Chile (una chilena en París) (álbum de Violeta Parra)
- 1992 - Pichanga: Antipoemas de Nicanor Parra (álbum de Congreso)
Premios y reconocimientos
- 1938 - Premio Municipal de Santiago por Cancionero sin nombre
- 1953 - Premio de Poesía Juan Said de la Sociedad de Escritores de Chile
- 1954 - Premio del Sindicato de Escritores de Chile por Poemas y antipoemas
- 1955 - Premio Municipal de Santiago por Poemas y antipoemas
- 1969 - Hijo Ilustre de Chillán
- 1969 - Premio Nacional de Literatura
- 1972 - Beca Guggenheim
- 1985 - Premio Richard Wilbur de la ALTA
- 1991 - Doctor Honoris Causa de la Universidad de Brown
- 1991 - Premio FIL
- 1991 - Premio Prometeo de Poesía
- 1996 - Doctor Honoris Causa de la Universidad de Concepción
- 1997 - Premio Luis Oyarzún de la Universidad Austral de Chile
- 1997 - Medalla Gabriela Mistral del Gobierno de Chile
- 1998 - Medalla Abate Molina de la Universidad de Talca
- 1999 - Medalla Rectoral de la Universidad de Chile
- 2000 - Doctor Honoris Causa de la Universidad del Biobío
- 2000 - Honorary Fellow del St Catherine's College de la Universidad de Oxford
- 2001 - Premio Reina Sofía de Poesía Iberoamericana
- 2001 - Premio Bicentenario (Corporación del Patrimonio Cultural de Chile y Universidad de Chile)16
- 2004 - Premio Konex Mercosur 2004: Letras
- 2011 - Premio Miguel de Cervantes
- 2012 - Premio Iberoamericano de Poesía Pablo Neruda
Adolfo Vásquez Rocca - Doctor of Philosophy
Po ntificia Catholic University of Valparaiso
University Andres Bello UNAB
Complutense University of Madrid Eastern Mediterranean University - Academia.edu E-mail: adolfovrocca@gmail.com
Doctor of Philosophy from the Catholic University of Valparaiso; Graduate University Complutense of Madrid, Department of Philosophy IV, mention Contemporary Aesthetics and Philosophy. Professor of Graduate Institute of Philosophy of the Catholic University of Valparaiso; Professor of Anthropology and Aesthetics in the Department of Arts and Humanities at the Universidad Andrés Bello UNAB. Professor, School of Journalism , Associate Professor School of Psychology and the Faculty of Architecture UNAB Santiago. Professor PEL Special Degree Programme in Design , UNAB - DUOC UC - In October 2006 and 2007 he was invited by the 'Man and World Foundation' and UNAM to teach a Lecture in Mexico. -Member The International Editorial Board of the ' Global Ethic Foundation 'of Mexico. Director of the International Advisory Board ' Konvergencias ', Journal of Philosophy and Culture in Dialogue, Argentina. Member of the International Editorial Board of Praxis Magazine , Faculty of Philosophy and Letters, A National University, Costa Rica. Member of Editorial Conselho da em Revista Humanities , Universidade Regional do Noroeste do Estado do Rio Grande do Sul, Brazil, and the Editorial Board of Sophia -Journal of Philosophy at the Pontificia Universidad Católica del Ecuador. -Secretary Executive Magazine Philosophica PUCV. -Asesor Advisory Focusing -Journal Art and Literature-Catalonia / Gijón, Asturias, Spain. -Member The International Editorial Board of ' Reflections Marginal '-Journal Faculty of Arts UNAM. Associate -Editor Societarts , Journal of arts and humanities, attached to the Autonomous University of Baja California. -Member The Editorial Board of International Journal of Safety and Security in Tourism and Hospitality , scientific publication of the University of Palermo. -Member Head of International Editorial Board of Wandering Nacional, Journal of Psychoanalysis, Critical Theory and Cultural -UNAM- Autonomous University of Mexico. -Member The Editorial Board of Journal "Areas in Social Sciences" , Santo Tomas University ©, Bogotá, Colombia. -Member Of the International Federation of Film Archives (FIAF) based in Brussels, Belgium. Director Remarks Philosophical Magazine . Visiting Professor in the Masters in Philosophy from the Autonomous University of Puebla. - Visiting Professor Florida Christian University USA and Associate Professor Theoria Group - European Research Project Graduate . -UCM Eastern Mediterranean University -. Academia.edu Research Scholar from the office of Research and Graduate Studies, Universidad Andrés Bello. -Researcher Associate and Associate Professor, School of Santiago Matríztica -directed by Dr. Humberto Maturana. Expert Consultant of National Innovation Council for Competitiveness (CNIC) - Concept artist . Art Critic . He published the book: Peter Sloterdijk; Spheres, cosmic ice and climate policies , Novatores Collection, No. 28, Editorial Institution of Alfons the Magnanimous (IAM), Valencia, Spain, 2008 Special guest at the International Conference of the Lisbon Architecture Triennale | Lisbon Architecture Triennale 2011 . Translated into French - Published in the Architecture section of the Anthologie: Le Dans la Pensée Contemporaine Neant . Publications du Centre Français d'Iconologie Comparee CFIC, Bès Editions, Paris, © 2012 Professor, Graduate, Master in Biology-Cultural , Matríztica School Santiago and Universidad Mayor 2013.
PUBLICATIONS
Publications International Scheduled in DIALNET Hispanic American Board of Scientific Publications
http://dialnet.unirioja.es/servlet/autor?codigo=1053859
Scientific Publications
http://de.scientificcommons.org/adolfo_v%C3%A1squez_rocca
Biblioteket og Aarhus Universitet, Denmark | Det Humanistiske Fakultet
http://www.statsbiblioteket.dk/
UNI LIBRARY> ERSIA - Unesco - CSIC
http: // library .universia.net / search.do? Adolfo = q + V +% C3% A1squez Rocca
Dr. Adolfo Vásquez Rocca - Contemporary Philosophy Research: Peter Sloterdijk
Philosophy & Art: Design Pinterests
https://pinterest.com/adolfovrocca/
ADOLFO VASQUEZ ROCCA PH.D. - ACADEMIC CURRICULUM
http://www.linkedin.com/pub/adolfo-vasquez-rocca/25/502/21a
http://www.danoex.net/adolfovasquezrocca.html
Adolfo Vásquez Rocca I Academia.edu | Documents
Academia.edu | Documents in Dr. Adolfo Vásquez Rocca
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Dr. Adolfo Vásquez Rocca
Adolfo Vásquez Rocca PH. D.adolfovrocca@gmail.com